Humphrey Lyttelton Band Biographies

In January 2008, Humphrey Lyttelton celebrated sixty years as a bandleader, leading a band which he ranked as one of the very best of his career. It's hallmark is versatility, reflected in a repertoire which extends from early traditional to modern by way of Ellington and Basie.

The band's range is also shown by the cast-list of artists whom it has accompanied on disc or in special presentations over the years, among them instrumentalists Buck Clayton and Buddy Tate and singers Jimmy Rushing, Big Joe Turner, Marie Knight, Elkie Brooks, Helen Shapiro and Stacey Kent. Perhaps surprising is an appearance on a CD by the esoteric pop group Radiohead.

The band has had many distinguished arrangers, including Kenny Graham, Buck Clayton, Eddie Harvey and Pete Strange, whom Humph introduced on-stage as "our staff arranger". Not to be forgotten are Humph's own compositions, of which he recorded well over two hundred, including "the medley of his hit", Bad Penny Blues.

It's little surprise that the prevailing reaction from audiences was "We never thought a jazz concert could have such variety!"

The most important ingredients are, of course, the musicians, all stars in their own right!


First picked up a trumpet in 1936, carried it in a sandbag on to the Salerno beachhead in 1943, took it into George Webb's Dixielanders in 1947, blew it in the presence of Louis Armstrong in 1948 - Louis said "That boy's really comin on" - and has never since let it out of his sight. He also plays clarinet and, occasionally, tenor horn.

Humph sadly passed away with his family and friends around him on April 25th 2008 at 7.30pm.

MICK FOSTER - Tenor Sax, Baritone Sax and Clarinet

Mick Foster is a saxophonist, clarinettist and composer who is particularly noted as a specialist in the baritone saxophone. He studied at the Guildhall School of Music and Drama, London and has since worked extensively in the fields of jazz, commercial and classical music. He has appeared with many ensembles which include the big bands of John Dankworth, Stan Sulzmann and Mike Garrick, the Back to Basie Orchestra, The Humphrey Lyttelton Band, Ginger Baker’s Air Force and the London Philharmonic Orchestra. He has also worked with Cleo Laine, Jacqui Dankworth, Trudy Kerr, Mark Lockheart, Guy Barker, Digby Fairweather, Swing Out Sisters, The BBC Concert Orchestra, English National Opera and The Syd Lawrence Orchestra. Mick has recorded three albums under his own name and is in demand as a session musician, having played for many film and TV soundtracks.

As a composer, Mick has written for various ensembles which include the London Jazz Orchestra, Quartz Saxophone Quartet, Docklands Sinfonia and Onyx Brass. His music has been broadcast on BBC Radio 3; some of his pieces are published by Saxtet Publications and are included on both the ABRSM and Trinity College London exams syllabuses.

Mick is active as an educator; he teaches at the Trinity Laban Conservatoire of Music and Dance, The Guildhall School of Music and Drama and Goldsmiths College; he is also a tutor for the National Youth Jazz Collective.

JIMMY HASTINGS - Alto Sax, Clarinet And Flute

Jimmy auditioned for Humphrey Lyttelton's band when Tony Coe left in the early Sixties. Then primarily a tenor saxist, he had to borrow Tony's alto for the audition, which may be why he wasn't immediately accepted.

Since then he has become one of the most respected musicians on the British scene, in demand for session work and jazz assignments in top bands. He finally joined the band in the mid-Nineties.

Humph said, "Thirty-odd years may seem like a long time to mull over an audition, but one doesn't rush into these things!" Jimmy's versatility is now a prime asset.


Born in Rotherham, by the age of ten Ray was playing trombone with the Rawmarsh Brass Band and, at fourteen, gigging with a local jazz band.

It's little wonder that he turned professional on leaving school and began a career which took him from work with Joe Daniels, Sid Phillips, Ken Mackintosh and other name bands to the Principal Trombone chair in the BBC Radio Orchestra.

His route into the Humph band in 2004 took in bands from Freddie Randall to Stan Tracey and studio work has equipped him with a bagful of stellar names from Sinatra downwards. All of which can be summed up in two words - talent and experience.


Self-taught in his youth, he studied with bassist and teacher Peter Ind. In his own words, he sidled into, rather than burst upon, the London jazz scene.

For many years he did gigs with his own trio and with other freelance groups, reaching a point when many top international musicians were happy to have him supporting them. He is also a superb and sensitive accompanist.

When he joined the Humph band in early 1995, it was his first-ever job with a regular working band; an extraordinary fact which he puts down to being a "late-developer"!


Classically trained as a cellist, John toured and recorded as such with Keith Tippet's Centipede and subsequently appeared with Yehudi Menuhin and Peter Pears. He moved over to double bass and bass guitar in the late 1970s.

A list of those with whom he has worked in jazz and also theatre music would constitute a show-business encyclopaedia.

He has also found time to act as visiting teacher of jazz double bass and bass guitar at Eton College.

Now, after deputising frequently with Humphrey Lyttelton's band, he brings his vast experience to it on a permanent basis.


Adrian moved to London from York in 1966 where he became much in demand backing visiting American musicians and working in established British bands.

He has been a member of the Humphrey Lyttelton Band since 1982 and he continues to promote Humph's music and ideals.

His interest in small group work came to fruition with the formation of Trio Time, a truly collective group that is continually developing its style and has led to three successful CDs.

He is an active member of the Musicians Union representing jazz players and since Humph's death is involved with the Humph Trust.


With over 60 years in music, Tony has done it all. Starting as a child prodigy on stage, aged 14 playing Harry James "Trumpet Blues". He then went on to work with almost every band, including the great Ted Heath, becoming the most in demand studio player doing hundreds of recordings and TV shows - Morcambe and Wise, The Two Ronnies and 25 years of the Parkinson Show.

Jazzwise, he worked with Tubby Hayes, Johnny Dankworth and the Kenny Clarke/Francy Boland Band. In 1993 he became leader of the Bert Kaempfert Orchestra and was greatly honoured when asked to join the Humphrey Lyttelton Band in 2008 after Humph's death.